Friday, April 22, 2011
A THOUSAND BLENDED NOTES RECEIVED BY A MOTHER FROM HER SON
What an honor to receive the following poem from our son, Jamie Brockamp. Knowing that these words brought his Mother to mind is comforting.
We are on the same page in so many ways, especially regarding the topic of sustainable agriculture, and genetic diversity of seed. And I can't wait everyday to speak with him about all of our plans for the land and gardens, and of our passion for permaculture and the beauty of the wide open spaces. Many days, these conversations take place while he is in grid lock traffic in the city, and longing for the peace and tranquility of country living.
A POEM FROM MY SON
(unknown poet)
I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure: --
But the least motion which they made,
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What man has made of man?
Labels:
Nature's Holy Plan
Thursday, March 10, 2011
Wednesday, March 2, 2011
MY MOTHER'S PEOPLE/ERMA IRENE (RENSLOW) JUELFS
ERMA IRENE (RENSLOW) JUELFS
It is important to me and to my Mother, Ora Jean (Hardcastle) Juelfs to tell the story of My Mother's People, and there is no better place to start than with my Grandmother, Erma Juelfs, and because I loved her so, it is imperative that her story, as far as my mother and I know it, is presented accurately and in the light that she deserves. For that reason, it won't be published quickly, but rather will remain a draft as we add to and edit it. It may be a series of small stories, but we need to begin, while my mother, (her daughter) is able to recall them.
Some of these pieces may eventually be added to my genealogy site as well.
One thing Mom wants to make known, above all else is how hard her Mother had to work during the depression to put food on the table for the family, and keep house for all it's members. And she starts by talking about the food they enjoyed on the farm during the "dirty thirties", and it's preparation.
But now on to my mother's remembrances in her own words:
Note: The following stories were written by my mother, Ora Jean Juelfs Hardcastle and taken word for word from her journal:
"This book contains some old recipes we ate in the 1930's."
by Ora Jean Juelfs Hardcastle
CUSTARD
We liked custard and had it often because we had milk from our milk cows. Cathy always liked
custard when she was a little girl. She still does, I think.
BAKED CUSTARD AND VARIATIONS
2 EGGS OR 4 EGG YOLKS 1/8TH TSP SALT
1/3 CUP SUGAR 2 CUPS MILK
1 TEASPOON VANILLA OR NUTMEG
Beat eggs slightly, add sugar, salt, milk and vanilla. (If nutmeg is used, it should be sifted over the top of custard mixture.) Strain mixture into individual molds, set them in a pan of hot water and bake in a slow moderate oven (325 degrees) for about 30 minutes. Custard is done when knife thrust into center comes out clean.
Amount: 6 individual custards
HONEY CUSTARD:
Use 1/3/ cup honey in place of sugar and omit the vanilla or nutmeg.
COCONUT CUSTARD
Use vanilla flavoring in making custard. When custard is partially baked, sprinkle coconut over top and return to oven.
FOR FIRM CUSTARD:
Use 3 eggs instead of 2 for custard. It will stand alone when turned out of baking dish.
CARAMEL CUSTARD:
Caramelize (melt and brown) 1/2 cup of sugar. Pour a little into each custard cup; move cups about so that caramel will coat the sides. When caramel is hard, fill cups with 3 egg custard mixture and bake. When custards are unmolded, the caramel which has melted in baking will run down the sides, forming a sauce.
MOM'S CHICKEN AND NOODLE DINNER ON THE FARM
(I WONDER IF THIS IS WHY PEOPLE CHOOSE
TO BE VEGETARIAN)
by Ora Jean Hardcastle Juelfs
When we wanted to eat chicken, my mother would have to catch one and kill it.
She would have a roaring fire in the kitchen stove with
a pail of water heating on it. She would dip the dead chicken in it. This was called "SCALDING". This would loosen up the feathers
so they would be easy to pluck off.
After the feathers were removed, she would wad up a piece of paper and put it on top of the kitchen
stove and set it on fire. She would hold the chicken over it to burn off the
hairs on it. This was called "SINGEING".
She would then cut off it's head and feet and take all it's innards out.
This was called "CLEANING".
After that, she would wash it inside out and stuff it. Recipe follows for "Stuffing."
ERMA JUELF'S STUFFING
BY ORA JEAN JUELFS HARDCASTLE
Stuffing was made by breaking up a loaf of dry bread into small pieces, and adding salt and pepper and a teaspoon of sage. (We didn't have poultry
seasoning, as such during those days). Hot water was poured over this and an onion was chopped and put in the mix.
Finally, the stuffing mix was moistened with hot water to which a little butter had been added.
Then the chicken was stuffed and baked a couple hours.
Note from Cathy: There was still work to be done, after the chicken was put in the oven, because it was then that my Grandmother, made the egg noodles to serve with the chicken.
Mother remembers Grandma Erma rolling them into a long strand and then cutting them with a scissors, into a boiling pot of water.
She also remembers enjoying the chicken and noodles dinner very much, and not fully realizing at the time what effort was involved in
getting this dish prepared.
Sunday, February 27, 2011
WHICH LOVED BEST
My mother and her mother and family were and are quite witty. They liked to write poetry, whimsical, clever little ditties, and as I come across some of the remaining relics of those composures they will be posted on this blog. I'm sure Mom can help me locate them.
Because they were poets at heart, Mother's family memorized their favorite rhymes and
poetry, and at 85 years of age, my Mother, Ora Jean Juelfs Hardcastle can still recite from memory many of her favorite writings.
So, it came as no surprise to me when she began to recite a poem written in 1917, which began,
"I love you Mother, said little Nell. I love you more than words can tell..." It goes on to say how each of her children declared their love, then raced off to play... all but one child, and that child stayed to help her with the day's work. Then at night when they laid to rest, which of her children loved her best?
Research unearthed this poem:
WHICH LOVED BEST
BY JOY ALLISON (1917)
"I love you Mother," said little John;
Then forgetting his work, his cap went on.
And he was off to the garden swing,
Leaving his mother the wood to bring.
"I love you Mother," said rosy Nell,
"I love you more than tongue can tell."
Then she teased and pouted full half the day.
Till her mother was glad when she went to play.
"I love you Mother," said little Fan,
"Today I'll help you all I can;
How glad I am that school doesn't keep!"
And she rocked the babe til he fell asleep.
Then stepping softly, she took the broom,
And swept the floor, and dusted the room.
Busy and happy all day was she;
Helpful and happy as a child could be.
"I love you Mother," again they said,
Three little children going to bed.
How do you think their mother guessed
Which of them really loved her best?
Labels:
MY MOTHER'S PEOPLE,
POETRY
Friday, February 25, 2011
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